Craig is a pop-Constructivist sculptor, whose brilliant, lyrical wall pieces have gained an international audience. Cast resins, acrylics, sheet metals, rare woods, and glass are laboriously cut, lathed, and polished into fanciful shapes - then joined and intertwined into arresting color-texture combinations. 

The works conjure a multitude of Southern California moods and attitudes.  From the freewheeling zest of beach boys to the contemplative aura of Asian meditation, each work speaks to a paradigm particularly rooted in the Pacific Rim. These multi-media works rest, dance, play, spin, and sing to create an abstract language inflected by many accents. Yet they all are unified by overarching themes of aesthetic optimism, joy, and a duty to fine craftsmanship. 

Craig is in the line of the pioneering Russian Constructivists of the early 20th century who sought to elevate the abstract language of machine-age forms into art works of deep social and spiritual significance.  Within their output were the first abstract walls sculptures know to Modern art. Picasso, too, would take up the mode - though more playfully - further blurring the boundary between painting and sculpture. Craig's most contemporary predecessor in the field of abstract wall sculpture is the great Frank Stella whose wall works routinely fetch six figures and are found in major museums around the world.